By JEAN EFRON

Published: March 31, 2012

Daniel Rosenbaum for The New York Times

Jean Efron, an art adviser, with a sculpture by Elizabeth Catlett at Terrell Place in Washington. In a former life, the building was a protest site against racial segregation, and “we decided to reflect this event,” Ms. Efron says.

Corporate buyers are looking to complete their space in an interesting way. They also select paintings, photography and sculptures for their employees’ enjoyment and to project a certain image. Some view their art as an extension of their corporate work life. I enjoy the challenge of coming up with a plan that reflects what a client wants to say about itself.

http://www.nytimes.com/2012/04/01/jobs/art-as-an-extension-of-the-corporate-image.html?_r=1&scp=1&sq=art%20makes%20a%20statement&st=cse

“I feel the need to give back to the community and I like to offer
my expertise in the field as a professional photographer. Most
unemployed people do not have the money to go out and get a
professional photograph”

reference: Albany, M. (2010). Business Portraits for the Unemployed. Visual Communication Quarterly, 17(4), 252-253. doi:10.1080/15551393.2010.515459

Organizers: MAGMA Contemporary Medium, SEMEISTOS Web-Semiotics Research Group

Online presentations of 10-15 minutes via Skype are welcome, and/or offline written presentations of visual research projects that are aimed at exploring leadership, power, and status issues. We intend to publish these presentations as an e-book and make them available for broader audiences. A live streaming of the workshop will be available at: http://www.livestream.com/magmalive

For details, please contact Rozi Bakó at bako.rozi@gmail.com.

Rochester Institute of Technology

May 3-5, 2012

When Images Cause Trouble: Visual Communication, Controversy, and Critical Engagement

Call for Papers

When do images cause trouble? One purpose of this conference is to discuss recent controversies in visual communication, including photojournalism, social media, advertising, and the visual arts, invoking issues of privacy, security, censorship, freedom of expression, and religious belief. In addition, as concerns over the power of images are not new, we would seek to historicize and contextualize current debates with historical perspectives, including, as an illustrative example, iconoclasm and the Protestant reformation in Europe –particularly Puritan image smashing in England during the 16th and 17th centuries. Following in the tradition of Kern conferences, we plan a rich program of interdisciplinary scholarship and conversation.
We invite submissions that address this theme from multiple points of views.  How does work in visual communication, visual culture, visual rhetoric, and related fields shed light on controversial issues that surround the production and consumption of images? How can we understand current events in a historical perspective? What are the roles of regulation, oversight, government, and grass roots organizations in thinking seriously about images? What roles do technologies of surveillance play? How can we think about the ethics of representation?
Individual papers, visual presentations, panels and workshop proposals are welcomed.
Send extended abstracts (500 – 2500 words) via email to Jonathan Schroeder (jesgla@rit.edu).

Jonathan E. Schroeder

William A. Kern Professor of Communications

Rochester Institute of Technology

Rochester, New York 14623

Click here for the  Call for Papers.

We’d particularly welcome papers from inVisio members that explore the interface between the visual and our other senses. Please drop me a line on swarren@essex.ac.uk if you want to chat informally about a submission. The editing team includes Prof Gavin Jack (La Trobe University, Australia), Kathleen Riach (Uni of Essex, UK), Antonio Strati (Uni of Trento, Italy) and me – Samantha Warren (Uni of Essex, UK)

CFP Vision C&O